Guillermo Gómez-Peña is a performance artist, writer, activist, radical pedagogue and artistic director of the performance troupe La Pocha Nostra.
Born in Mexico City, he moved to the US in 1978, and since 1995, his three homes have been San Francisco, Mexico City and the "road".
His performance work and 21 books have contributed to the debates on cultural, generational, and gender diversity, border culture and North-South relations.
His art work has been presented at over one thousand venues across the US, Canada, Latin America, Europe, Russia, South Africa and Australia. A MacArthur Fellow, USA Artists Fellow, and a Bessie, Guggenheim, and American Book Award winner, he is a regular contributor to newspapers and magazines in the US, Mexico, and Europe and a contributing editor to The Drama Review (NYU-MIT), the Performance Art Week Journal of the Venice Biennale, and emisférica, the publication of the Hemispheric Institute of Performance and Politics (NYU).
Gómez-Peña is currently a Patron for the London-based Live Art Development Agency, and a Senior Fellow in the Hemispheric Institute of Performance and Politics.
As of 2020, Gómez-Peña is working with his troupe on multiple reenactments of his "living archives" project, publishing two anthologies, a new enhanced Pocha Pedagogy book (with La Saula) and creating a border opera titled "WE ARE ALL ALIENS" (featuring classical concert pianists and Mariachis) and producing a documentary portrait of his beloved troupe in collaboration with filmmaker Amber Bemak.
Under the multiple pandemics, Gómez-Peña and his close colleagues have built a “Barrio Zoom Broadcasting Station” where he presents weekly live performances, virtual poetry slams, classroom visits and conducts 1:1 mentorships. Please see our Virtual Offerings page for a full menu of possibilities.
Currently married to Balitronica Gómez.